
Carali McCall Canadian, b. 1981
Work no. 1 (Circle Drawing) 1hr 09min, 2017
Lithograph Print
101 x 91.4 cm
Copyright The Artist
Work no. 1 (Circle Drawing) is a series that encapsulates the foundational work of using the body and energy to create durational artworks. It is part of the developing and...
Work no. 1 (Circle Drawing) is a series that encapsulates the foundational work of using the body and energy to create durational artworks. It is part of the developing and emerging movement of performance drawing.
McCall began her ‘Circle Drawing' artworks in 2004 where she focuses on the durational element and physical process of drawing. Using graphite on paper, she draws her full arm's length in a continuous circular motion to the point of complete exhaustion.
During this physically demanding process, her position and ability to extend the arm diminishes to the extent she can no longer hold the graphite. McCall quotes, 'an important aim is to maintain a constant and continuous visible line that embodies time and energy. While performing, painfully, my entire body is noticeably putting effort into the drawing.' This intense action and durational element often cause the paper to fatigue and rip, which is often identified as her distinctive trademark.
In McCall’s new addition to the series, materials such as Gold and Gouache are used to treat the surface and bring another layer of reference to important art historical processes. The combination of these new materials and grand scale of this practice, make McCall’s work particularly striking.
McCall began her ‘Circle Drawing' artworks in 2004 where she focuses on the durational element and physical process of drawing. Using graphite on paper, she draws her full arm's length in a continuous circular motion to the point of complete exhaustion.
During this physically demanding process, her position and ability to extend the arm diminishes to the extent she can no longer hold the graphite. McCall quotes, 'an important aim is to maintain a constant and continuous visible line that embodies time and energy. While performing, painfully, my entire body is noticeably putting effort into the drawing.' This intense action and durational element often cause the paper to fatigue and rip, which is often identified as her distinctive trademark.
In McCall’s new addition to the series, materials such as Gold and Gouache are used to treat the surface and bring another layer of reference to important art historical processes. The combination of these new materials and grand scale of this practice, make McCall’s work particularly striking.
Provenance
Collection of the artist21
of
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